Performances
The Invisibles
When nobody’s watching, I become invisible. When you catch yourself comparing your self-image to others’ you may consider it really cool, or in contrast – rather lame. But when reality kicks you out of your comfort zone and there’s an urge to speak your mind, you may start feeling the need for some kind of […]
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Islands
This installation is a tribute to the history of Neringa, the present and the worrying future. Located in the Nida lighthouse, “Islands” invites you to immerse yourself in the space of minimalistic music, movement, lights and colorful costumes. Entering the space involves a feeling of gradual blow of sand – as if you were inside […]
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Eye of the Storm
“Eye of the Storm” explores the universal laws of chaos and order. In this work choreographer Rachid Ouramdane uses the movement of organized and anarchic groups. Ouramdane is inspired by parades, riots, demonstrations and flocks of flying birds. This is how the ever-changing paintings of order and chaos appear on stage. These images, and especially […]
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Dance + City | one minute dance videos
Jei šokti apie architektūrą atrodo sunkiai įgyvendinama idėja, „Šokis plius miestas“ projekto komanda įrodė kitaip!
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Under the Skin
Ritmas, pulsacija, šviesos kokonai, gamtos ir kūno architektūra – taip unikalų Lietuvos kraštą, Kuršių neriją, ir jos gyvybės trapumą filme atskleidžia prancūzų choreografė Mathilde Monfreux, video menininkė Trécy Afonso ir Šeiko šokio teatro šokėjai.
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transience
„Transience“ (iš angl. k. laikinumas) – choreografo Maciejaus Kuźmińskio, dramaturgo Paulo Bargetto ir Šeiko šokio teatro tęstinis performansas netikėtose miesto erdvėse, sukurtas pagal šokio spektaklį „i“ (aš).
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i
This new work by Maciej Kuźmiński in his third collaboration with the director Paul Bargetto offers an existential meditation on the near and distant future, dream logic, and infinity. Balancing between the performing and visual arts, the piece conjures a house of mirrors constructed of an inner, infinite self, where crossing the boundaries of mortality […]
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In-contact
Ant Urbo kalno stovinčiame 29 metrų aukščio švyturyje, pristatyta interaktyvios aplinkos, medijų, šokio ir muzikos instaliacijos premjerą „In – contact“, tyrinėjanti iliuzinį žmogaus visagalybės prieš gamtą santykį.
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Wandering Dunes
Ilgametis Pinos Bausch trupės šokėjas Daphnis Kokkinos (Vokietija) kartu su Šeiko šokio teatru pristato dedikaciją didžiajai šokio Mokytojai.
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Marked
This solo dance performance inspired by personal experience opens up a sensitive societal issue: bullying and its effects.
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Present time
The present tense becomes a thing of the past at every second, but the time of human life, philosophically speaking, remains the present, living through us until the very end.
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Who the F**k is Alice?
An immersive experience, “Who the f ** k is Alice” is a combination of theatrical performance, physical movement, and spoken word performance.
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Ordredesordreordredesordre
Šis spektaklis – tai choreografinis tyrimas, paremtas moksliniais ieškojimais apie biologines sistemas. Įsivaizduokime smėlio dulkes, chaotiškai besisukančias vėjyje…
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Boléro-Extended
The performance is an unusual interpretation of Boléro, a piece by the famous French composer Maurice Ravel.
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Drifted
This performance and historical excursion around the Nida Parnidis dune and its surroundings tells the story about the changing nature of the unique coastal region and the fate of its inhabitants and visitors.
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The Night Flickering
Each of our lives is a blink that turns into a vibrating and glowing flicker as all lives merge and dissolve in the middle of the night.
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Lumi
Specially designed for babies, this dance performance immerses the participants in the mysterious world of light and movement.
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Louise in Memel
This dance performance transports the spectator to the places of old Klaipėda where Queen Louise of Prussia and her royal family used to walk 200 years ago, after leaving Berlin to escape Napoleon’s army.
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I Declare – Brandir
This dance performance is a personal declaration of independence in the context of historical events.
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My Peter Pan
A visual and musical story about letting go of childhood and the ability to accept someone next to us and someone else living inside of us. Recommended for an audience of 12 years of age and older.
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Aside
Regardless of race, religion, sex, nationality or lifestyle, most humans seek acceptance by others and society. The dance performance Aside addresses this human need for acceptance, self-expression, and relationship between people.
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The King December
Childhood sometimes happens at the end of life. If you don’t believe this, ask King December. By the way, you can ask him anything. You can lie in the balcony, look at the stars and talk about immortality. You can name clouds, study King’s dream boxes, or you can go out and see something you have never seen before.
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Dior in Moscow
The changing identity of a post-soviet woman who experiences transformation caused by Western influence is the focus of this performance.
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Klaipėda transit Memel
This Dance and Sound Performance Tour raises questions about who we are when we forget and who we become when we remember through experiencing a multi-media performance that visits the sites of seven historical Klaipėda churches.
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Forgotten Princesses
Inspired by the enchanting book “The Lost and Unknown Princesses” by the French duo Philipp Lechermeier and Rébeccos Dautremer, the dance looks for ways to help each child discover and love themselves, and to cherish and build meaningful and respectful relationships with other children.
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Wasted Land
The multi-media Dance Opera Wasted Land features music, operatic singing, contemporary dance and video projections.
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White Lullaby
The minimal and aesthetically pleasing dance performance White Lullaby surrounds an audience with Lithuanian fairy tale mythology, but echoes current everyday issues
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I Will Hug You
An interactive dance performance for kids, I Will Hug You tells the story of a family: mom, dad, older brother, and young sister.
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No Space in the Parking Lot
Rather physical performance, emphasis is placed on sensuality, with underlying notes of self-irony here and there, a rather rare occurrence in Lithuanian contemporary dance.
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